On the last Friday of every month, the studio where I work most of the week puts on a short film night. As we’re based at the Old Church School in Frome, we call it Old School Shorts. With the Cobble Wobble looming close we though we’d ask the race organiser, Andrew Denham, to curate the event.
Andrew Denham is part of the Black Canon Collective – a group of mountain bikers who are often to be seen bombing around the forest at Longleat – sometimes dressed as superheroes – always with big grins on their faces.
Andrew chose the films for the middle section of the night. There were some crackers, from Minibike battles in Portland, to mad tricks on Scottish Streets. We managed to watch the brilliant RSA/Rapha film Two Broad Arrows by Adrian Moat (it’s no longer up on the Rapha site). As ever, we peppered the evening with music videos, vintage adverts, and amusing cat films. All projected up big on the wall of studio while we lounged around on sofas and swivel chairs, munching on pizza and nibbles and drinking beer.
All in all we had about an hour and half of films with two intervals. It was great to finally meet @westfieldwanderer from Radstock who I’ve been conversing with on Twitter for ages. We had a good chat about bicycle commuting, local hills and AtoB magazine.
Afterwards, Ed took some photos of the old bikes and parts that Andrew had collected to be donated for The Bristol Bike Project and we returned to the studio for music videos, Guess who games, more food and drink and good chat. People took turns on the VJ ing and we watched a myriad of films, from helmetcam madness, to Bats for Lashes videos via Vanilla Ice and Guns & Pork, my favourite part of the VJ section was a film of Andrew putting his shed up on his allotment.
Things wound up just after midnight, and I loaded up the Brompton for the ride home.The streets of Frome were doubly quiet, because I was suffering from a bit of a head cold, my hearing in my left ear had disappeared. As I’m half deaf in my right ear anyway, this meant that I could barely hear a thing. Not that there was much to hear, I didn’t see a single car moving until I left the town. I took it slowly through the streets, freewheeling wherever I could, and gently riding up the hills in the lowest gear.
On leaving the town I suddenly noticed the moon, not yet full, but incredibly bright. The wooded hill down to Oldford, normally a pitch-black potluck ride of guessing where the kerb might be, was transformed into a gently lit flight through a luminous forest. As I turned up the hill towards Beckington I pulled over to look out over the valley – gloriously rolled out before me in and picked out in sharp electric detail by the witchlight. The stark black of the distant hills, the sulphurous streetlamps of Frome itself, the deteriorating skeleton elms that lined the slope, all seemed so vibrant and hyper-real, and I was struck with an unsettling feeling that the same scene by daylight was not the true view, but merely a reflection of what I was seeing now.
I continued up the hill, my blocked up ears meant all I could hear was my own breath and the creaking of my jaw. I felt, rather than heard the steady trundling squeak of my faithful Brompton’s cranks as I spun the pedals. In the hedge to left there was a brilliant white blaze of light, as I inched closer it resolved into the shape of an old milestone. I had never noticed it before, despite passing it many, many times, yet here it was glowing fiercely under the lunar influence.
The air on the slope down into Beckington sucked the warmth from the bare skin of my arms, I had enough momentum to get halfway up the hill on the other side. Past the 24hr garage – devoid of customers, over the roundabout, devoid of traffic, past the place where the gypsies camp and hard left before the boundary stone. Ursa Major was a few degrees off horizontal, far to the West a few low and long clouds stretched themselves out above the land, the lights of a distant plane flickered on and off in the space between cloud and earth as it tracked towards the orange glow of Bristol. The lane was narrow, and the moon flung her beams directly over it from left to right, pools of moonlight settled on the tarmac, punctuating the ink-black shadows that leapt from the trees and hedges and hid the stones and cracks in the road. My Wheels seemed to find them without any trouble.
I felt I could ride on into the dawn, but the glamour of the moonlight would have worn off quickly, leaving me cold and tired to endure the long hour before daylight alone.
The village was still and silent, not even the blue flicker of a television set could be seen. The restored clock on top of the Cross Keys softly chimed one o’clock as I folded the Brompton, bid the moon a goodnight and closed the door.